The Sky Room

1950s_Desert_Inn_SkyRoomThe Sky Room was dead. Just a middle-aged couple holding hands over Manhattans at one table and a wrinkled tourist with a loser’s face at the bar contemplating a flock of empty shot glasses. The small dance floor was scuffed and dusty. An empty cocktail table had an ashtray filled with butts. You wouldn’t have seen that in the old days.

The ceiling was still painted to make it look like a starry night with puffy clouds, but some of the stars weren’t shining. It didn’t matter. Nobody said “Meet me at the Sky Room!” anymore.

The Murray Arnold Quartet — minus three — was providing the entertainment. The aging boy wonder of the piano was a long way from his glory days at the Cocoanut Grove in L.A. or fronting for Freddy Martin and his orchestra. But the old guy looked comfortable in this empty relic from the town’s past, noodling the keys of a scratched baby grand, exploring a subtle syncopation on “More Than You Know.” Heber wasn’t sure if he liked Murray’s interpretation, but he appreciated the effort.

He found a table by the big window overlooking the … (more)

“She could take care of herself…”

He sipped his martini and appreciated how her faded jeans stretched against her haunches as she kneeled to work the fire. He thought about the size of the staff needed for a place like this. A full-time grounds-keeper, for sure. A pool man. Maybe a handyman, too. Housekeeper, definitely, even with auntie in residence. The guys in the truck. It added up.

One thing was certain, somebody filled that ice bucket, somebody put this wood out here, somebody took the covers off these chairs, somebody lit these torches, somebody swept away the desert that would never give up its claim to the land. Maybe she called ahead on that radio-phone in her fancy XKE.

He wondered how long it would be before she mentioned her husband again. Or would he have to bring it up. He knew he should feel guilty, but he didn’t. Mrs. Lyman was a big girl. She could take care of herself. (from “Joey’s Place”)

Historical fiction

Just read an interesting perspective on historical fiction in an article about “Wolf Hall” author, Hilary Mantel in the October 15, 2012, issue of the New Yorker Magazine:
“Historical fiction is a hybrid form, halfway between fiction and nonfiction. It is pioneer country, without fixed laws. To some, if it is fiction, anything is permitted. To others, wanton invention when facts are to be found, or, worse, contradiction of well-known acts, is a horror; a violation of an implicit contract with the reader, and a betrayal of the people written about. Ironically, it is when those stricter standards of truth are applied that historical fiction looks most like lying.” (Larissa MacFarquhar)

“Vegas” – a missed opportunity

The opening cattle drive, with “Las Vegas” superimposed over the alleged 1960 setting, should have been a warning. Starring Dennis Quaid as Sheriff (to-be) Ralph Lamb and Michael Chiklis as Vincent Savino, the new boss of the fictional Savoy Casino, the “Vegas” premiere episode quickly reminded me why an animal gnaws off its own foot to escape a trap. Granted, I wasn’t expecting a documentary, but when the lead character is “based upon” a real-life Nevada native and Clark County Sheriff, a little authenticity would be nice.

It all starts with Quaid’s character getting angry because an inbound passenger plane scatters his herd, so he gallops to the airport to complain that they should bring the planes in “from the east, over the casinos.” This reminded me of when I worked at the Desert Inn pool as a kid and tourists would ask, “Does the sun set over there every day?” Note to show’s producers: McCarran is east of the Strip, therefore, east of the casinos that existed in 1960. The subsequent fistfight with the oddly thuggish airport personnel was probably meant to emphasize Lamb’s two-fisted personality, but it came across like bad backyard antics on Youtube. Remember, this was … (more)