A very interesting noir piece by a writer whose troubled soul (and alcoholism) kept him from securing a place in the pantheon of pulp writers who achieved recognition beyond the genre. (His book, Dark Passage,” was made into an unusual Bogart/Bacall film in 1947.)
A down-and-out, disgraced ex-cop surviving in his netherworld community of darkness, rain, water, and despair is contracted by the local criminal boss for a mysterious task that the ex-cop must slowly deduce. Then he’s “recruited” by the boss of the police department’s special unit, “Night Squad.” And this boss has very special and personal reasons for wanting the criminal boss eliminated.
They’re all here — broads, bimbos, and courtesans; cons, crooks, and grifters, all uniquely drawn and brought to life. It’s all here — booze, “tea,” gun battles, brawls, lust, and hot pursuits. In the end, Goodis’s talent, like Chandler’s or Hammett’s or Cain’s (to name a few), was not giving us happy endings for any of these characters. Even the police boss’s revenge is tinged with vinegar. In this world, darkness prevails.